Jeff Gibson

Jeff GibsonJeff GibsonJeff Gibson

Jeff Gibson

Jeff GibsonJeff GibsonJeff Gibson

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jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
jeff gibson decoupage collage
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bio

Jeff Gibson is an Australian-born artist and occasional critic who has worked in a variety of media and contexts—collage, digital graphics, photography, video, prints, posters, banners, and books for galleries, websites, and public spaces. A former senior editor of Art & Text magazine, Gibson moved to New York in 1998 to work for Artforum, where he is currently managing editor. Since arriving in New York, he has produced two artist’s books (Dupe: A Partial Compendium of Everyday Delusions [2000] and Sarsaparilla to Sorcery [2007]), exhibited on the Panasonic Astrovision screen in Times Square as part of Creative Time’s “59th Minute” program, and mounted solo shows at the New York Academy of Sciences; Stephan Stoyanov, LMAK, and Theodore (all New York);  and The Suburban (Chicago and Milwaukee). Throughout January 2011, two of the artist’s videos, Smoke and Asylum (both 2010), were projected onto the facade of the Everson Museum of Art in Syracuse, New York, as part of a curated series presented by Light Work and the Urban Video Project. His video Metapoetaestheticism, 2013, was exhibited in the 2014 Whitney Biennial. In 2016, Gibson produced a billboard, titled Armagarden, for the I-70 Sign Show, a curated program of artworks occupying advertising sites on the Missouri interstate. In conjunction with this project, he also produced a foldout poster for the Sunday opinion pages of the Columbia Tribune. Gibson’s work was included in the “Digital Infinity” section of the 2018 Front International: Cleveland Triennial for Contemporary Art. In June 2022, the Griffith University Art Museum in Brisbane, Australia, staged a survey show of Gibson's art, titled "Countertypes," that featured a selection of works spanning 1980 to the then present. 

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Jeff Gibson